The chance for an education.

I’ve always seen Creative COW as a hugely popular information source and discussion venue for all things film and media. Apart from it being reliable, it’s always had a vibrant community. Now there’s 1 reason to like them even more – The Creative COW Foundation.

Launching this April, the Creative COW Foundation will be helping deserving film and media students cover the costs of their educations, not just in the US, but around the world. Fantastic. (see full article on their newsletter)

As a scholarship recipient myself, I know how much of an impact they make on a student’s life. These opportunities open HUGE doors. I remember receiving an email a year ago about Grace Teng, a Singaporean girl who was so determined to study film in NYU, she started her own fundraising campaign and website to raise money. Through her site called ‘Dreaming Big’ she introduced herself as an “amatuer filmmaker and future NYU undergraduate film student”. She knew she was going to make it happen. The money, she hoped, would come from selling her short films on DVDs and appealing for donations.

I don’t know how her campaign’s going today, but I remember being moved by her fierce determination. Not many youths know deep in their guts exactly what they want to do, let alone work so hard to pursue it. Those who do deserve a shot at it. There is no way I would have been able to get the solid education I did at Northwestern if it weren’t for Ngee Ann Kongsi and the Media Development Authority of Singapore. Seeing Grace’s story, I understood the need for funds and I understood that burning passion. So it was really frustrating for me that there was little I could do to help her out at that time.

That’s why I’m so excited for this. Here’s to more foundations funding education like this. I’d love to see more students, like Grace, being enabled to get that education they so deserve and desire.

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Chicago finally sees film action after 19 months

The Dark Knight, What Women Want, Ocean’s 11, Spiderman 2, The Break-up, The Time-Traveler’s Wife and Public Enemies. These were some of the decade’s best movies we enjoyed, bathed in the beautiful landscape and architecture of The Windy City. But according to the Chicago Film Office, 2009 marked the lowest number of feature films shot in Chicago in eight years. And with Oprah’s big announcement that she was gonna leave, those of us in the industry had plenty of reasons to worry.

Well, here comes the good news. A report from Reel Chicago just announced that 3 major productions have chosen Chi-town for their shoot in the coming months.

  • Fox Television’s cop drama Ridealong slated to begin filming in March
  • Vince Vaughan and Ron Howard’s comedy Your Cheating Heart planned for an April/May shoot
  • And possibly even Transformers III in May

The announcement comes like sweet, sweet raindrops to mark the end of the city’s 19-month major studio picture drought. Hooray! Time to get that reel and resume ready.

For an additional taste of Chicago pride:

[Youtube=http://www.youtube.com/watch?v=QBmmhnHyFc8&feature=player_embedded]

Depth of Field Master

Canon EOS 5D Mark II

In my search to download and print a depth of field table for reference during our shoot for State of the Apartment, I discovered a brilliant website that’ll make things a whole lot easier.

The online Depth of Field Calculator by DOFMaster! Yay!

No need to spend precious time scrutinizing the endless numbers on the charts, trying to match up the right focal length with the f-stop. Just choose your camera model, focal length, f-stop and subject distance from the drop-down menus, hit ‘calculate’ and presto! You know exactly how much of your visuals will be in focus and at what distance. Sweet.

But wait, there’s more! They’ve even got the app for the iPhone… *gasp*… perfect for outdoor shoots. Thank goodness for people who develop software like that. :)

Film Club: Mini Assignment 1

So the last time I talked about the Cabrini Connections Video and Filmmakers Club, it was when Karl and I guest taught a lesson when Michael was away. 2 months later, Karl and I, along with another volunteer Mae, were asked to co-lead the club with Michael permanently. I’ve since learned to understand that changing lives takes time, and that I don’t have to strive to do it within 90 minutes. Baby steps, baby steps.

The first few sessions with all 4 of us leading brought some interesting dynamics. Good that there were more resources between the 4 of us to deliver a better lesson. Thanks to Mae’s projector and screen, we were able to show the students great video examples. But now that Mae’s left Chicago to further her studies in Texas, we’ve had to get creative. More people in the equation also means a bigger variety of mindsets. Each of us has very different styles of doing things. I’m a planner and a big fan of being well-prepared and well-researched before the time comes to teach. Some others are just better at doing things on the fly. We’re still working to find a middle ground, but at least we all know we’ve got one goal in common… to give the students the best.

This week, we kicked off our first lesson of 2010 with something different. I wanted to put the big horror movie on the backburner for now, and have them focus on mini assignments instead. The plan is to teach a different aspect of filmmaking each week and have them do an in-class activity related to what they’ve been taught.

Since we spent a number of weeks going through storyboarding, we asked the students to come up with a short story on the spot and tell that story within 6 shots. To add some challenge, we said they had to include 1 pan and 1 tilt.

In previous weeks, we sat at the table with the students to walk them through the creative process. Progress was slow. We constantly had to poke and prod for creative input from them. It seemed to me that because we were there hand-holding so much, the students didn’t feel as involved or challenged in the process. Many ended up texting on their phones, sleeping, or watching videos on the nearby computers.

This time, we experimented with a more hands-off approach. We gave them 25 minutes to complete the storyboards for the 6 shots and left the table.  A few peeks across the room revealed that the group was engaged in discussion together. 15 minutes later, they came over to tell us they were done. Brilliant! So lesson learned. Students sometimes just wanna do things on their own. Since we had time to spare, we decided to teach them how to do up some overhead diagrams to match their storyboards and explained why overheads are so useful.

By the end of the 90 minutes, we’d finished our 6 shots. Still kinda rough, but it’s good progress. We’ll let them do an exercise on editing next week with the footage that they shot. :)

Check out the video below to see how things went! Read the official Cabrini Connections Video and Filmmakers Club blog to see previous entries too!

[Vimeo http://vimeo.com/8580667%5D

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